In Review: THE DAY A PIG FELL IN THE WELL (Hong Sang-soo, 1996)

The year 1996 is often considered important for Korean cinema, and has even been described as the beginning of a second, post-political phase of the Korean New Wave. Starting in 1988, Korean auteurs such as Park Kwang-su, Jang Sun-woo and others began what has become known as the New Korean Cinema. Taking advantage of the democratization of the country, many directors began to confront Korean society and history from a critical, left-wing perspective that had been previously repressed and kept underground by the military dictatorships of the last decades. But by 1996, much of the revolutionary spirit of the 1980s had waned, and Korean society began a much less politically committed phase that really continues until today. In this situation, a director like Hong Sang-soo seemed the perfect fit. Instead of dealing with overt politics, his films always deal on a very micro level, detailing the everyday lives of his characters, especially their sexuality and relationships. This new type of realism has been embraced by film critics both within Korea and internationally, despite the fact that Hong has never had a great deal of success at the box office. Starting his career in 1996, Hong has been perhaps the most important Korean filmmaker of the last decade. (more…)







