
As a national cinema, Korea is generally thought to comprise two main branches: (1) mainstream movies done in a style close to the international popular cinema norm (i.e. Hollywood);and (2) art cinema films made by auteurs who avoid the conventions of genre entertainment. In this way, it is not much different than other national industries. But, Korean cinema does have a number of crossovers between these two poles, especially within the domestic market itself. So while there are festival directors like Hong Sang-soo and Kim Ki-duk who do not gain a large following within the country, there are filmmakers like Park Chan-wook, Bong Joon-ho and even Lee Chang-dong who are able to achieve domestic success and international critical praise. This occurs on a smaller scale as well. Just as Hollywood has a number of independent films that bridge the gap between the popular and the esoteric, so does Korea have films that are mixed or hybrid in their approach. One such film is THIS CHARMING GIRL, the feature debut of Lee Yoon-ki. Although relatively unknown as an art cinema director, Lee has made films that have all found critical favour by critics focused on Korean cinema: LOVE TALK (2005), AD LIB NIGHT (2006), and MY DEAR ENEMY (2008). (more…)