News and Reviews from the Chungmuro Film Fest

Image courtesy of the Chungmuro International Film Festival
The 3rd Chungmuro film festival just finished on Tuesday night in Seoul. I have attended all three festivals, and this year there was a marked difference in the line-up. The previous years focused almost exclusively on older films, and as a result was a great opportunity for cinephiles to see classic films from Hollywood and around the world in the theatre. This year, the number of retrospectives has been significantly reduced, and the majority of the screenings are of newer releases. These changes were recently criticized in The Korea Times, which accused the festival of lacking any real direction and of not being able to match the content of the other major festivals (notably Pusan and Jeonju). I was personally saddened to see the number of older films cut, but nevertheless I can understand the desire to incorporate newer material. And the slogan of the festival, “Yesterday, Now and Forever”, does give an indication of the vision Chungmuro is looking to achieve: a synthesis of film history with the current international cinema. It is true that this first attempt did not really integrate these very well, but it is a worthwhile pursuit for future festivals. Especially for foreigners, there are things to complain about, most notably the lack of English subtitles on numerous films, especially the Korean classics. Even worse, a number of films were labeled as having subtitles but didn’t. I had this experience with Claude Chabrol’s early New Wave classic Les Cousins (1959), which was very disappointing given how hard it is to see this on home video. But despite the problems, this is a festival that I believe can succeed with some better planning, organization, and, yes, vision. In fact, this festival is actually needed for the city, given its size and the amount of interest in the movies.






Tonight at Club FF in Seoul,
